Showing posts with label lustre dust. Show all posts
Showing posts with label lustre dust. Show all posts

Friday, 4 January 2019

Frosty Handpainted Hare

Fondant icing and lustre dust leaves, handpainted hare

Last year my contribution to Killer Zebra's charity calendar was 'January'. (You can buy the 2019 calendar here, to which I contributed 'August'.)

Friday, 6 February 2015

Whimsical Flower Cookies: Tutorial


Cookies decorated with stylised plants and lustre dust, by Honeycat Cookies

I had great fun making these, it's such a simple technique you can't go wrong. AND it includes lustre dust. If you want to see how to make more natural flowers, you might want to try my Lacecap Hydrangea tutorial.

Thursday, 10 July 2014

A Midsummer Night's Dream Cookie Set






















Commissioned to make a set of A Midsummer Night's Dream cookies, as a thank you gift for a teacher, I wanted to do something different, in style, technique and design. I've been wanting to try a freer method of cookie decorating and haven't been able to get this beautiful set of ballerina cookies The Cookie Architect made for her Practice Bakes Perfect Challenge #2 out of my mind.

























What inspired the 'jigsaw' shapes was the ever present difficulty I have of creating a set that fits the tins I keep for these sorts of gifts. I usually start by making an estimate of the balance of sizes and complexity needed, then make extra to ensure that the finished tin doesn't end up with a layer of just one cookie. That's not a good look when you lift the last layer and find just one cookie at the bottom.

This method usually works well for my household though, as there are always extras lying around for lunch boxes. But it takes ages to pack a tin, going in and out and rearranging layers so the cookies don't slide about too much, yet each layer having a nice balance of designs.

























Anyway, this time I was lying in bed meant to be sleeping but thinking instead about cookies; not just cookies, but fitting odd shaped cookies together into rectangles, because that's normal; and it occurred to me how easy it would be if I could just make big tin-sized rectangles.
























 So that's what I did. I created three big tin-sized rectangles. But then so that it didn't seem like I was getting away with just making three cookies for an order, I chose a couple of ordinary cutters, cut them out of the rectangles, then used a scalpel to hand cut the rest of the shapes around them. There was a certain amount of guesswork regarding size and allowing for spread of individual pieces, but it all seemed to work out quite well.

The backgrounds I spread with stiff white royal icing and a palette knife, leaving rough(ish) edges and swirls that fit the shapes, but which would enhance rather than interfere with the designs I wanted to create, like the tree and its roots below. I pressed a few sugar pearls into some areas, and when dry I had fun with lustre and petal dusts, and a little edible paint, to create three colours schemes for the three rectangles.




As for the images, first and foremost I had Arthur Rackham's illustrations for A Midsummer Night's Dream in mind, but I collected a number of different illustrations in the same vein in a Pinterest board here.




For most of the cookies, I simply used my tipless bag of soft white RI and 'drew' freehand, in stages, particularly for the couple of images of Titania (see above and below). Lots of flowing hair, a suggestion of wing and crown, and a little lustre dust to highlight is all the Queen of fairies needs really.






For the detailed head of Bottom (below) I made a few marks with edible pen to start with, just to get the overall dimensions, then referred to Rackham's illustration for more detail.






























Puck clinging to the tree however was  a direct copy of 'Puck' by Charles Vess and I used the Camera Lucida ipad app to scratch the image on the cookie with a scribe. I hadn't intended to paint the faces on these cookies, but keep them in a cameo style, but I couldn't help add a hint of 'puckishness' to this one.



Saturday, 15 February 2014

The Fox and the Hare



At lunchtime on the 13th February, I was browsing Valentine's Day cards in a half-hearted attempt to find something for my husband. But when it comes to words of romance I tend towards the sarcastic end of the spectrum. I'm ok with jokes and silliness, but it's hard to convey depth of feeling with puns and rolling eyes. So I decided this year I wouldn't use words I'd use pictures.

On a whim, I decided to make him a cookie. And not ten minutes later, I had another whim. I decided to film the cookie being made. This cookie took a long time. A very long time! And so the film has ended up in two parts.


I had the idea for the fox and the hare from a variety of sources. As a child I loved the work of Kit Williams (I still do), and spent many hours pouring over his incredible creation Masquerade. There is a tranquil, surreal quality to his work, with a photorealism that makes his world slightly eerie. The buried golden hare waiting as long as it might take for a reader to unpuzzle the book is a haunting idea. It's hard to think of something that conveys patience and steadfastness as effectively as that hare.


More recently the work of both Jackie Morris, author, illustrator and artist, and the artist Mister Finch have intrigued me. Both use hares and foxes as recurring motifs, and both seem to me to have that eerie, tranquil quality I loved as a child in Williams's work. In particular I came across Morris's The Space Between the Fox and the Hare, where visually the space between becomes a heart shape, and of course conveys something of that awful sentiment I refuse to commit to words on the 14th February... Morris often uses gold backgrounds to her paintings, and so would I. I sprayed the blank cookie with a mixture of gold and bronze edible lustre.

So I sketched the pair within the confines of a traditional Valentine's cookie, using their curled up shapes, and the fox's tail to create the heart shape I wanted, used the Camera Lucida ipad app to transfer the image to the actual cookie, and started piping.


Once the piping was dry, I used a mixture of edible paint and lustre dusts to add definition. I think I had some idea in mind of Williams's buried hare: tones of earth and gold.


In the end, as usual, I couldn't keep it secret and I made him open the box the same evening. So he still didn't get a token of lurve on Valentine's Day itself (see the sarcasm creeping in there?). I got him a chocolate orange instead.